Solid Ink - Old Pigments - Set of 10

El Picante, Oro, Jade, Old Brown, Blue 15, Green 7, Traditional Orange, Coffee, Dirty Green and Satan

The formula presented in these colors follows the tradition of what was available for tattooing many years ago, known as “OLD PIGMENTS” 

-We wanted to offer a real set of traditional colours, that will be particularly appreciated by Old School tattooers.

-Some raw pigments used now days in tattooing, like Oranges and Browns, tend to fade when exposed to the sun for many years, but these won’t. Here we did not use any Orange, Magenta, Brown or Violet as a base, only what we like to call "OLD PIGMENTS".

-We were able to achieve these tones using a different approach. For example when you see Brown, we are combining Red, Yellow, Green and Black. When it comes to Orange, Red and Yellow. 

-Solid Inks' "OLD PIGMENTS" are a combination of traditional methods and ingredients, and in some cases, mixed with pre-dispersed formulas. All colours are made of what they call “powder” pigments.

-The selection of these powder pigments is based on decades of experience, and they have shown to be the most stable and durable over the years.

-Bottles are opaque, like back in the day, you won’t see the exact tones through them, we include a picture of the colours for your reference.

We ship using CanadaPost and offer free Canada wide expedited shipping on all orders over $200 or $150 for AB, BC and SK. All Ink in winter is shipped thermal wrapped and with a heat pack, which we do not charge extra for. Even though we will check the weather ahead of time, If it's forecasted to be to be below minus 10 celsius, please order earlier in the week.

Tattoo pigment consists of two parts; the pigment and the carrier. The composition of tattoo pigment varies from brand to brand. Different ink companies use different dispersion methods and different formulas. We believe less filler the better, but that’s up to the artists preference.

Shaking your ink.

Trust us, a fully blended ink is much easier to use and will give you the correct and desired effect. If the ink is allowed to separate and solidify on the bottom of the bottle, you don’t actually get the formulated amount of pigment dispersion. This can reduce the ink’s effective saturation and opacity. When the sediment at the bottom hardens, it can be a nightmare to mix properly, then colour inconsistencies can begin to occur. To ensure your ink has been shaken fully to prevent this; compare the bottom of the bottle to the top, to ensure all pigment has been disbursed correctly. If you see a marbled effect or streaks of colour, keep on shaking.

Another way to keep your inks unspoiled and sediment free is to keep smaller bottles around, especially if it’s a colour you don’t use often. Take time and think how often a pigment gets used before you decide how much to order. Your ink is less likely to have a lot of settling if it’s not around for long. We’re a fan of small bottles. They’re easier to store, cost less, take up less space, are easy for the artist to travel with and it encourages an artist to keep their ink supply fresh and health board compliant. 

Remember:

Shake your inks often to prevent separation.

Wear gloves when handling open ink bottles.

Wipe down bottles after use to prevent cross contamination.

Ensure lid is tightened snugly or clicked into place after use.

Do not leave ink bottles on work you space during tattoo procedure.

Store below 30 degrees and above freezing.

Do not store in direct sunlight.

Use within 12 months of opening. 

Nitty Gritty

We do our best to provide high quality images of each ink, but every device has its own resolution, so please note colours may vary from device to device. Its why we opened our retail locations.

Due to the uncertainty of ink once it leaves our stores, all ink sales are final.